بیان صور الممنوعۃ لاستعمال النغمة والمقامات والموسیقی في تلاوة القرآن

Authors

  • Muhammad Sher Rabana PhD Scholar Deptt. of Islamic Studies, University of Sargodha
  • Dr. Abdul Ghafoor PhD, Deptt. of Islamic Studies, University of Sargodha

Keywords:

Qur’an, recitation, utterances, cheerful voice

Abstract

In view of the greatness of the Qur'an, while reciting the Qur'an,it is necessary to  observe all the etiquettes which are essential for the sanctity and dignity of the Qur'an so that its greatness and dignity may be expressed. And it comes out openly. The use of melody and melody (cheerful voice) can also be done within the scope of these etiquettes. But the arguments derived from the Qur'an and Hadith and the sayings of the Salaf-e-Saliheen which prohibit the use of melody, maqamat and music, what are the reasons for this prohibition? The definition of music and maqmat and the mention of musical instruments makes it clear to us that all are related to the relationships and laws of music found between different sounds and that musical instruments fluctuate with these sounds and different. The melodies are aided in the singing of the ragas, while the recitation of the Qur'an is related to the letters and words of the Qur'an. The correct payment of these letters and words is to know and learn their attributes and utterances (Tajveed). The real contemplation and receiving the light of guidance from it is completed. On the contrary, the recitation of the Qur'an becomes a corner of darkness instead of becoming a beacon of light.

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Published

2023-06-30

How to Cite

Rabana, M. S., & Ghafoor, D. A. (2023). بیان صور الممنوعۃ لاستعمال النغمة والمقامات والموسیقی في تلاوة القرآن. Pakistan Journal of Islamic Philosophy, 5(1), 44-53. Retrieved from https://pakjip.com/index.php/pjip/article/view/13